Native Alibi

The concept that consumers of digital media have acquired 'banner blindness' to traditional online formats has meant that native advertising has become more and more noticeable...or not as the case may be (!).

OK, more acceptable...or at least, more clickable.

Digital aside, we saw something interesting in this morning's Metro, where a neat native print execution from TV channel alibi promoting a new series of crime drama "Crossing Lines" contrasted dramatically with a conventional 25x4  press ad featuring 'Anger' from Inside Out (Disney Pixar's latest offering).

Which is more effective though?

Perhaps it could be said that the Disney ad will attract the attention of those flicking through the middle pages of the paper, especially given its bold colours, commuter-relevant copy and right hand outside-edge placement.

On the other hand, the alibi creative will most likely draw the attention of those who are more interested in the editorial content found across the rest of the spread. This may well be those with a greater interest in gossip and TV.

Although native advertising is nothing new (especially in print, where "advertorials" or "edvertorials" have been around for many a year), these two different ad formats found in close proximity highlight that it's not just a trend in advertising but rather another weapon in the marketer's armoury...

#PurePoint